[This is a re-post of a review that appeared on Nov. 27, 2006, while I'm on a brief semi-vacation.]
A charmingly illustrated explanation of the Regency etiquette rules followed by the novelist’s characters
Jane Austen’s Guide to Good Manners: Compliments, Charades & Horrible Blunders. By Josephine Ross. Illustrated by Henrietta Webb. Boomsbury, 133 pp., $14.95.
By Janice Harayda
A while back, I wrote a novel about a bride-to-be who believed that Jane Austen could have solved all her romantic problems. One reason for her view, I hoped, was clear: Austen’s novels are full of rules for social conduct.
The catch – for my heroine as for others – is that Austen’s characters typically follow rules that are implicit, not explicit. And because Austen was a satirist, her precepts can’t always be taken at face value even when they are spelled out. Perhaps the best case in point is the much-misunderstood first line of Pride and Prejudice, which is often taken literally though meant ironically: “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
Josephine Ross has decoded some of the social conventions of the Regency era in Jane Austen’s Guide to Good Manners. And as befits an ironist like Austen, this book is less a “guide to good manners” than a literary companion disguised as Regency self-help manual.
Ross does not try to extrapolate from the behavior of Elizabeth Bennet, Emma Woodhouse and others to modern life. Instead she describes the rules of the Regency era as she sees them and shows how Austen’s characters observe or break them. The rule “Do not be presumptuous in offering introductions” leads to a brief discussion of the proper ways of introducing people in the early 1800s. Then Ross writes: “When Lady Catherine de Bourgh, in high dudgeon, calls on the Bennets in Pride and Prejudice to dissuade Elizabeth from marrying her nephew Darcy, she does not ask Lizzy to introduce her mother, and sits for some time in the presence of awed Mrs. Bennet, who has therefore not been granted permission to converse with her Ladyship in her own house. This, of course, is not ‘good manners.’”
Some of the conventions that Ross describes went out with the chamber pot: “After dinner the ladies must withdraw.” Others continue in a modified form: “When in doubt, talk of the weather.” Either way, Ross writes so gracefully that her book is a delight, enhanced by charming watercolors by Henrietta Webb. How nice that she and her collaborator knew enough not to take literally the words of Northanger Abby: “A woman, especially, if she have the misfortune of knowing anything, should conceal it as well as she can.”
Best line: “Only by understanding Society’s strict rules is anyone – man or woman – in a position to break them.”
Worst line: Why doesn’t the comma in “Compliments, Charades,” which appears on the cover, show up also on the title page?
Published: October 2006
Janice Harayda wrote The Accidental Bride (St. Martin’s, 1999), a comedy of a manners about a bride who tries to find solace in Jane Austen as her over-the-top wedding approaches.
© 2009 Janice Harayda. All rights reserved.
www.janiceharayda.com and www.twitter.com/janiceharayda
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